Guinea · Conakry

BENI SOUND SYSTEM, the signature sound of Guinea's biggest concerts

Article no. 309 · Portrait · November 8, 2026 · Festival TV

On Saturday night, Petit Sory Stadium was alive with AK's concert. Behind the console, one man and his crews were making the night ring out: Mohamed Ibn Abdallah Oularé, the boss of Benedi Records. This Sunday, he published the images of his equipment fleet and stated his ambition: to raise Guinean events to international standards. A portrait of a pioneer who, for nearly thirty years, has been equipping Guinea's nights.

Mohamed Ibn Abdallah Oularé, wearing a Benedi Records cap, at his digital mixing console during AK's concert at Petit Sory Stadium, on November 7, 2026
© Benedi RecordsMohamed Ibn Abdallah Oularé at the sound desk, during AK's concert at Petit Sory Stadium in Nongo, on November 7, 2026.

First, yesterday's concert

Petit Sory Stadium in Nongo, Saturday, November 7, 2026. AK — Alpha Keita — performs his “People's Concert”, presented by Street Brothers. The sound had been entrusted to Benedi: the artist's manager had announced it at the November 2 press conference, with a clear demand — “something similar to the Biennale, or even better.”

The next day, the artist publicly saluted the company, and its boss published the backstage story in images: the crowd around a circular stage, the consoles deep in the night, BENI SOUND SYSTEM's technicians at work. What you see is less a concert than a demonstration: this is the level Guinea can now play at, on home ground.

The stage and its giant screen in AK's colours
© Benedi RecordsThe stage and its giant screen in AK's colours.
The huge crowd in front of the circular stage, seen from above
© Benedi RecordsThe huge crowd in front of the circular stage, seen from above.
Aerial view: the crowd and the circular stage bathed in orange light
© Benedi RecordsAerial view: the crowd and the circular stage bathed in orange light.
The packed stands of Petit Sory Stadium
© Benedi RecordsThe packed stands of Petit Sory Stadium.
At night, the huge crowd seen from the sky and the control tower
© Benedi RecordsAt night, the huge crowd seen from the sky and the control tower.
Huge crowd and packed stands, in a closer shot
© Benedi RecordsHuge crowd and packed stands, in a closer shot.
A night aerial view: the circular stage at the heart of the stadium
© Benedi RecordsA night aerial view: the circular stage at the heart of the stadium.
The yellow and orange circular stage, seen from the sky
© Benedi RecordsThe yellow and orange circular stage, seen from the sky.

Equipment as a signature

In the photos, everything speaks of investment: large digital mixing consoles, multi-screen video stations, stage structures, screens, flight cases branded with the company's name, crews in high-visibility vests coordinating the control room by walkie-talkie. A fleet designed for stadiums, not for compromise.

The investment is nothing new. Back in February 2013, Mohamed Ibn Abdallah Oularé was presenting a batch of high-end sound equipment bought for 10,000 euros — a serious sum, at the time, for a Guinean company. What followed confirmed the method: invest, and invest again. A Guinean artist said last October that, to find that level of sound and light, you once had to travel as far as Senegal. Today, it happens in Conakry.

Detail of the BENI SOUND SYSTEM control room: the digital mixing console in the middle of a concert night
© Benedi RecordsThe BENI SOUND SYSTEM control room in the middle of a concert night (detail of the main photo).

From the neighbourhoods to the top

The adventure took shape in 1998, in Guéckédou, where he founded Benedi Records. Those who saw him start out tell of a young basketball player who was already organising promotional parties in the neighbourhoods — the energy of the court, transposed into party nights. From that school of the field grew a complete company: music production, artist management, communications, events.

The label raised artists — Singleton passed through, Baba Samba was revealed there, and the “Papa” video by King Abdoulaye passed 50 million views on his channel. In 2020, the company opened its own studio, Mongole Studio. The honours followed: best cultural operator at the Guinea Music Awards 2014, best events and live-show company at the Guinea Best Company Awards 2021, promoter of the year at the Victoires de la Musique Guinéenne 2022. In Dakar, CICES gave him an award of recognition for the Guinea International Fair, which he initiated.

The mark he leaves

There is what he builds for himself, and what he passes on. In 2024, with Degg J Force 3, he gave a complete recording studio to singer Siland Kuti — “to give back to those who helped us”. Around his control rooms, generations of young technicians learn the trade: in the comments under his posts, one phrase keeps coming back like a nickname — “Benedi is a school”.

And the story keeps being written large: this autumn, his XXL Energy Tour crosses eight Guinean cities with Sobragui. On November 29, he crosses one more border: his first international festival, Monrovia Fest, at the S.K.D Stadium in Monrovia, Liberia, with Rudeboy, formerly half of P-Square, announced on the bill.

“My ambition is to help raise the Guinean events sector to international standards,” he wrote this Sunday, thanking the organisers and his teams. After nearly thirty years equipping his country's shows, the man from the neighbourhoods has become the reference — and he keeps on investing. Entrepreneurs like him show the way: when the sound is up to the task, a whole country hears itself bigger.

Photo gallery — AK's concert at Petit Sory Stadium, the Benedi night

AK's concert at Petit Sory Stadium, seen from behind the scenes with BENI SOUND SYSTEM: the crowd, the circular stage and the crews at work, on Saturday, November 7, 2026.

Mohamed Ibn Abdallah Oularé at the lighting console
© Benedi RecordsMohamed Ibn Abdallah Oularé at the lighting console.
The stage and its giant screen in AK's colours
© Benedi RecordsThe stage and its giant screen in AK's colours.
A night aerial view: the circular stage at the heart of the stadium
© Benedi RecordsA night aerial view: the circular stage at the heart of the stadium.
The huge crowd in front of the circular stage, seen from above
© Benedi RecordsThe huge crowd in front of the circular stage, seen from above.
The audience all around the circular stage
© Benedi RecordsThe audience all around the circular stage.
A dense crowd in the night, phones raised
© Benedi RecordsA dense crowd in the night, phones raised.
Aerial view: the crowd and the circular stage bathed in orange light
© Benedi RecordsAerial view: the crowd and the circular stage bathed in orange light.
The huge crowd, with the control tower in the foreground
© Benedi RecordsThe huge crowd, with the control tower in the foreground.
The AK logo drawn in white on the circular stage, seen from the sky
© Benedi RecordsThe AK logo drawn in white on the circular stage, seen from the sky.
The packed stands of Petit Sory Stadium
© Benedi RecordsThe packed stands of Petit Sory Stadium.
The lighting control console, in close-up
© Benedi RecordsThe lighting control console, in close-up.
The video control room and its monitoring screens
© Benedi RecordsThe video control room and its monitoring screens.
A technician, walkie-talkie in hand, in front of the flight cases
© Benedi RecordsA technician, walkie-talkie in hand, in front of the flight cases.
Behind the flight cases, the camera on its tripod
© Benedi RecordsBehind the flight cases, the camera on its tripod.
A crew technician flashing a victory sign
© Benedi RecordsA crew technician flashing a victory sign.
Walkie-talkie and cable in hand: coordination backstage
© Benedi RecordsWalkie-talkie and cable in hand: coordination backstage.
A crew member wearing the BENI SOUND SYSTEM colours
© Benedi RecordsA crew member wearing the BENI SOUND SYSTEM colours.
From behind in the crowd, a Benedi Records t-shirt
© Benedi RecordsFrom behind in the crowd, a Benedi Records t-shirt.
Cap, badge and walkie-talkie: ready for duty
© Benedi RecordsCap, badge and walkie-talkie: ready for duty.
The crew on the scaffolding, among the flight cases
© Benedi RecordsThe crew on the scaffolding, among the flight cases.
Headphones on, back to the camera, at the console
© Benedi RecordsHeadphones on, back to the camera, at the console.
A technician crouches to adjust a spotlight
© Benedi RecordsA technician crouches to adjust a spotlight.
The stage being assembled, in daylight
© Benedi RecordsThe stage being assembled, in daylight.
Technicians on the scaffolding, green flight cases in the foreground
© Benedi RecordsTechnicians on the scaffolding, green flight cases in the foreground.
At night, the huge crowd seen from the sky and the control tower
© Benedi RecordsAt night, the huge crowd seen from the sky and the control tower.
Huge crowd and packed stands, in a closer shot
© Benedi RecordsHuge crowd and packed stands, in a closer shot.
The yellow and orange circular stage, seen from the sky
© Benedi RecordsThe yellow and orange circular stage, seen from the sky.
Mohamed Ibn Abdallah Oularé at his mixing console
© Benedi RecordsMohamed Ibn Abdallah Oularé at his mixing console.

Photos: Benedi Records — AK's concert, Petit Sory Stadium, Nongo, November 7, 2026. © Benedi Records

Practical information

Company
Benedi Records — label and events, founded in 1998 in Guéckédou, based in Conakry
Technical arm
BENI SOUND SYSTEM — sound, staging, lighting and show logistics
Featured concert
AK, “People's Concert” — Petit Sory Stadium, Nongo, Saturday, November 7, 2026
Coming up
Monrovia Fest — S.K.D Stadium, Monrovia (Liberia), on November 29, 2026